London’s Cheyne Stroll offers a sedate streetscape that bears no witness, preserve some blue English Heritage plaques embedded in various façades, to its daredevil history. To the redbrick Georgian and Queen Anne homes and apartment buildings that line this Thames-side road in Chelsea, all manner of imaginative iconoclasts because the 3rd quarter of the 19th century have gravitated. Querulous painter James Abbott McNeill Whistler bunked right here, as did dandified tastemaker Christopher Gibbs, actor Laurence Olivier, and a several of the Rolling Stones, additionally Marianne Faithfull.
“All of Chelsea is a fairy tale for me,” suggests Patrick Mele, a younger decorator who is based in New York Town but appears to be like straight out of the Cheyne Wander playbook, with a tousled mop of dark hair foaming above an angular deal with that’s pure Egon Schiele. “My very best pal growing up was English, so I have often been drawn to that Anglo sensibility. And I utilised to arrive listed here a 10 years ago, when I labored for Ralph Lauren, to function on the shops.” So, when Sara Tayeb-Khalifa and her husband, Hussein Khalifa, high-fived Mele’s zesty decoration of a bed room in their Manhattan condominium, they made available to mail him back again throughout the pond to revamp the Cheyne Wander flat they had owned because the early 1990s.
“I had completed it space by place by space, but nothing at all matched—plus, I no for a longer time wished protected,” clarifies the elegant Tayeb-Khalifa, a previous Phillips executive who is partnering with sustainable-style designer Jussara Lee on collections of T-shirts and cushions. “I preferred to make it joyful: delighted hues, joyful residence.” To that stop, her conversations with Mele were being peppered with references to Auntie Mame, Pass up Havisham, and the ceilings of outdated French bistros, stained “a coloration that reminds you of cigarettes, wine, bad liquor, and more cigarettes,” Tayeb-Khalifa states with a giggle. —Mitchell Owens
When requested what anyone unfamiliar with his biography could surmise simply by walking by way of his Melbourne household, Troye Sivan stays sanguine: “I’d hope they’d feel that I’m an unpretentious dude, maybe a bit eccentric, somebody who enjoys artwork and style and design, anyone devoted to his family—and surely the fact that I’m gay,” says the wildly well-liked 25-year-outdated Australian singer-songwriter and actor.
In fact, if that hypothetical customer happened to be a persnickety structure snob, they’d surely not fall short to register the array of treasures by the likes of Percival Lafer, Ettore Sottsass, Tobia Scarpa, and Marios Bellini and Botta the cabinetry information encouraged by Charlotte Perriand and Jean Prouvé and the bespoke, Memphis-flavored appointments of the bath and powder rooms. On a further stage, on the other hand, it would also be crystal very clear that this is the house of someone with the cultivation and confidence to identify that excellent design and style is as much about suitability and nuance as it is about critical objects and artworks.
“Troye is an unbelievably savvy collaborator. In our earliest conversations, he talked about materiality, how he needed to really feel in his dwelling, about the scent and the seem and the mild. It was so significantly additional than just a couple of pretty matters he observed on Pinterest,” remembers designer David Flack of local business Flack Studio, Sivan’s associate in the sensitive, innovative reimagining of the singer’s Victorian-era dwelling.
The residence in problem is a genuine architectural gem. Erected in 1869 as a handball court, the setting up was converted into a brick manufacturing unit in 1950 and then subsequently reworked into a home in 1970 by renowned Australian architect John Mockridge, a fixture of the neighborhood artwork-and-style scene. The conversion is mentioned to be the first adaptive reuse challenge of its variety in the town. “You can photo Mockridge and his friends sitting down all over consuming whiskey and talking about art. I preferred to preserve that bohemian spirit and honor the original architecture while making a thing that feels like me,” Sivan says. —Mayer Rus